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| Image | Sale date | Auction house | Location | Sale name | Lot No. | Estimate | Price Sold | Condition | Title |
|---|---|---|---|---|---|---|---|---|---|
Oct 22, 2016 | Christie's | Paris | Collection Claude Berri | 16B | $****** - ****** | Mechanical expression seen through our own mechanical expression | |||
May 16, 1990 | Sotheby's | New York | The Collection of Lydia Winston Malbin | 70 | Estimates not disclosed | Mechanical expression seen through own mechanical expression |
Works on Paper
20 x 15.9 cm (7.87 x 6.26 in)
aquarelle et graphite sur papier
Tristan Tzara, Paris
Lydia et Harry Winston, Birmingham, Michiga (acquis auprès de celui-ci, le 4 novembre 1954)
Collection particulière, États-Unis (par descendance, en 1989); vente, Sotheby's, New York, 16 mai 1990, lot 70
Pascal Sernet, Paris et Londres (en 1994)
Galerie Daniel Malingue, Paris (jusqu'en 2002)
New York, Modern Gallery, Picabia exhibition, 1916, No. 15.
Albion, Albion College, 1956, No. 23.
Detroit, Institute of Arts, Collecting modern art: Paintings, Sculpture, and drawings from the collection of Mr and Mrs Harry Lewis Winston, septembre-novembre 1957.
Detroit, Institute of Arts, French Drawings and Watercolors from Michigan Collections, janvier-février 1962.
New York, The Solomon R. Guggenheim Museum, Futurism, A Modern Focus, The Lydia and Harry Lewis Winston collection, novembre 1973-février 1974, p. 154, No. 77 (illustré).
Paris, Galeries nationales du Grand Palais, Francis Picabia, janvier-mars 1976, p. 185, No.36, (illustré, p. 70).
Valence, IVAM Centre Julio Gonzalez, Francis Picabia, octobre-décembre 1995, No. 81 (illustré en couleurs).
Tokyo, Isetan Museum of Art; Fukushima, Iwaki City Art Museum et Osaka, The Museum of Art, Kintetsu, Francis Picabia, août 1999-février 2000, p. 60, No. 10 (illustré en couleurs).
Paris, Musée d'art moderne de la Ville de Paris, Francis Picabia, Singulier idéal, novembre 2002-mars 2003, p. 152 (illustré en couleurs, p. 153).
Paris, Musée d'Orsay et Madrid, Museo Nacional Centro de Arte Reina Sofía, New York et l'art moderne, Alfred Stieglitz et son cercle (1905-1930), octobre 2004- mai 2005, p. 325, No. 101 (illustré en couleurs, p. 181).
'Picabia's Puzzles' in The Christian Science Monitor, Boston, 29 janvier 1916, p. 13.
V. Spate, Orphism, the evolution of non-figurative painting in Paris 1910-1914, Oxford, 1979, p. 336 (illustré, fig. 252).
W. Camfield, Francis Picabia, His Art, Life and Times, Princeton, 1979, No. 66 (illustré).
K. Samaltanos, Apollinaire, Catalyst for Primitivism, Picabia, and Duchamp, Ann Arbor, 1984, p. 67.
M.-L. Borràs, Picabia, Barcelone, 1985, p. 167, No. 286 et p. 508, No. 157 (illustré, p. 166).
W. Bohn, 'Picabia ''Mechanical Expression'' and the Demise of the Object' in the Art Bulletin, LXVII, No. 4, New York, 1985, p. 673-677 (illustré).
L. Dalrymple Henderson, 'Francis Picabia, Radiometers and X-Rays in 1913' in the Art Bulletin, LXXI, No. 1, New York, mars 1989, p. 114-123 (illustré, p. 115).
L. Dalrymple Henderson, Duchamp in Context, Princeton, 1998, p. 13-14, 39, 42-43 et 108 (illustré, fig. 57).
P. Karmel, 'Francis Picabia, 1915: The Sex of a New Machine' in Modern Art and America: Alfred Stieglitz and His New York Galleries, catalogue d'exposition, National Gallery of Art, Washington, 2001, p. 206 (illustré, fig. 74).
W. Bohn, The Rise of Surrealism: Cubism, Dada and the Pursuit of the Marvelous, New York, 2002, p. 51-58 (illustré, p. 52, fig. 3.9).
P. von Arx, 'Francis Picabia et la ville de New York "aperçue à travers le corps"', in La Ville magique, catalogue d'exposition, Lille métropole Musée d'art moderne, d'art contemporain et d'art brut, Villeneuve-d'Ascq, 2012, p. 44 et 46 (illustré en couleurs, p. 44, fig. 5).
W. Camfield, P. et B. Calté, C. Clements et A. Pierre, Francis Picabia, Catalogue raisonné, Bruxelles, 2014, vol. I, p. 350, No. 461 (illustré en couleurs).
A. Sudhalter, Dadaglobe reconstructed, Zürich, 2015, p. 124-125 et p. 149.
